Westmorland Orchestra Concert

Westmorland Hall, Saturday 5th December 2009

 

For the opening of the 65th Concert Season, the Westmorland Orchestra welcomed David Chatwin as guest conductor. He plays Principal Bassoon in the BBC Philharmonic and is also a very experienced conductor.

It was obvious from the start that he had prepared the orchestra well. Although Rossini’s colourful Overture ‘The Thieving Magpie’, which opened the evening, contained a few ‘fluffed’ notes, it had sparkle and was performed at a manageable speed: the four percussion players added greatly to the audience’s enjoyment; there was some pleasing solo work from woodwind soloists and well-controlled orchestra tuttis. The performance just needed a little more dash to make it really exciting.

Piano soloist, Helen Reid, gave a fine performance of Rachmaninov’s second Piano Concerto. From the finely graded crescendo of the opening chords through to the dazzling ending she held our attention, playing with energy and delicacy as required. The orchestra responded well to the challenges of this work. The ‘big’ opening tune, played by the upper strings, had all the fervour it needed; indeed, the confident playing of the string section was a characteristic throughout the evening. Particularly impressive was the performance of the third movement. There are many changes in speed and mood in this movement, and the coherence that was a feature of this performance is not easy to achieve; conductor, soloist and orchestra worked together as a team.

Again it was obvious that a lot of care had gone into the preparation of Dvorak’s long and demanding Symphony No. 7. Speeds were perhaps a little on the cautious side, but phrases had shape, rhythms were carefully controlled and a very good balance was achieved between the various sections of the orchestra; at no time did the excellent brass section overwhelm the rest of the orchestra as sometimes happens.

Overall, this was an impressive start to the season; succeeding visiting conductors have a lot to live up to.

 

Clive Walkley